best foot forward

the official indigo invitational photo guide

 

We’ve all heard it, and almost all of have said it: “These pictures don’t do this denim justice. You should see it in real life.”

 

While denim is notoriously difficult to capture in living colour, we don’t have to settle for lacklustre photographs. With a bit of practice and a bit of ingenuity, we can take pictures that are even better than the real thing. 

 

Though we will make the case for investing in a digital camera below, this guide is not only for those who have hundreds or thousands of dollars to spend on equipment. You don’t need fancy gear to take beautiful photographs. You just need to make the most of what you have. This guide will help you do that. 

 

There is still plenty of track ahead of us, but there’s no time like the present to start working on your fade photo formula. With a little bit of practice, you’ll be in top form when we cross the finish line.   

 

Light: less is more

 

If you’ve struggled to take good photographs of your fades, it might simply be a problem of light, and probably too much of it. Your camera needs dramatically less light than you might think it does.

 

Denim is a serious and heavy fabric. Lean into this serious quality by giving it less light than you think it needs and you’ll see your denim’s rich inner character shining through in your photographs.

 

Start by getting outdoors. No amount of fiddling with your camera will manage to produce beautiful photographs when the only light source is artificial indoor lighting. Indoor shots lit by incandescent, fluorescent, or LED bulbs are flat and uninteresting. They always look rushed, and the denim appears drab and lifeless.

 

NB: All negative examples below are my own. 

Bathroom light and white tiles are bad combo.

The indoor lighting washes all the blue out if this pair.

Indoor lighting just can’t do justice.

Windows with indirect light can be excellent light sources for indoor photography, but for the best light, we need to go outside, and we need to stay out of the sun. Direct light flattens out texture and drenches our denim in dark shadows.

 

The best denim photographs, whether taken by amateurs or professionals, showcase every inch of the denim and its texture. They do this by reducing shadows to an absolute minimum. When we get out of the direct sunlight, the light is diffused evenly, giving the most accurate picture of how the denim actually looks. 

 

I took these photos in the early afternoon. In this first set, I’m facing into the sun. Shadows on my inner thighs and around the knees have turned blue into black, and it’s even worse on the back side, where most of the left thigh has disappeared entirely.

 

When the sun is at my back, the shadows are gone, but the sun is shining directly into the camera, creating that fuzzy light-drenched aura. The denim looks a little better, but the photograph is far from perfect.

 

 

Head out with your camera in tow when the sun is either hiding (behind clouds, buildings, or the horizon) or very close to the horizon. During sunrise and sunset, when shadows are long, your photographs will have a warm, idyllic glow. 

L: Alex Swords R: Philip Dotsenko

The mid-evening light is perfect for denim photographs. Stay out of the sun and your pictures will have a heavy and almost cinematic quality. 

 

 

It’s worth planning your photo session to capture the last few minutes of good daylight. The most striking denim photographs utilize this late light. 

There’s no hard and fast rule that will help you capture the ideal evening light. Some cameras need a little more light to function optimally, others less. When you find the right light, you’ll know it. 

Gear: spend a little to get a lot

 

Camera gear isn’t essential. Get the light and the staging right and you can point and click with just about anything and snap a great-looking photograph. 

 

If you’ve got the budget for it, though, a small investment in photo gear will give you more control over your photographs and a much higher resolution, which allows you to zoom in on photos without them becoming blurry messes. 

 

A good entry model DSLR will set you back about the same amount as a pair of top-shelf Japanese selvedge. You can, if you like, spend thousands of dollars for premium photo equipment, and there’s value for money if you exploit the camera’s full range of settings. If you’re only really planning to point and click, though, the budget models will be more than enough.

This difference isn’t immediately obvious until you see side-by-side comparisons like the ones above. The camera phones take nice pictures, but the digital camera captures a mountain of texture and detail that the phones miss. A quick glance should be able to tell you which is the DSLR.

 

At 200% magnification, the differences become even more obvious.

 

iPhone 8 – 200% magnification

iphone 11 pro max – 200% Magnification

Sony nex3 (dslr) – 200% magnification

 

staging: depth, interest, and contrast

 

To do justice to our beautiful denim and the fades we’ve worked hard to produce, we need to do more than simply throw our jeans on the ground or on the bed and snap a few photos. We need to stage our photographs for interest, depth, and contrast.

 

Unless you’re taking boudoir shots, beds and photographs don’t mix. Same goes for your toilet, your couch, your laundry pile, or your TV. Remember that we’re showcasing workwear, not loungewear, and definitely not lingerie. Put your jeans in an appropriate context.    

If you absolutely must take your photographs inside, do so next to a window and use only the natural light. As a bare minimum, clear a space for your photographs. There should be nothing in the background of your photos that catches the eye.

 

A little bit of out-of-doors exploration can go a long way. Parks are often brimming with perfect locations for a quick photo shoot. A patch of grass or a wooded area will be an immense improvement over your bedroom, bathroom, or living room.

 

Grass and wood are great, but there’s no reason to shy away from brick, mortar, rebar, and concrete. Parking structures, train tracks, or back alleys (sans trash) can all provide excellent backdrops.

 

Keep your eyes peeled for a perfect location, and then come back either very early or late in the day when the light is just right. If you don’t have somebody to take the pictures for you, bring a tripod and a remote shutter (both small investments that pay big dividends).  

 

Here are a few examples of monthly updates that have been staged in ways that arrest the eye:

What you’ll notice in all of these pictures is depth. There is a foreground (in sharp focus) and a background (in softer focus). This bokeh effect makes denim leap out at you, and it gives photographs that glossy magazine quality.

 

Go out of your way to find a location for your photographs that allows for this kind of depth and interest and you’ll never want to go back to taking indoor photos.

 

A bit of depth goes a long way. A few trees or a textured wall can make an excellent background for your photos, provided that you put some distance between foreground and background.

 

L: Cheerayu Phokrachang R: Patrick Gessner

Depth and interest are nice to have, but they’re not absolutely essential. If you choose a background that contrasts nicely with your denim, you can keep things simple and stunning. When exploring your environment, keep your eyes peeled for coloured or textured surfaces that might be used as backgrounds. 

 

Here are a few examples of photos with eye-catching contrast. Even though there is very little here in terms of depth or even of interest, the contrast does the heavy lifting, bringing the denim front and centre.

Hanging up the hang-ups

 

My first pictures of denim were all taken in the bedroom with the door closed.  I didn’t want anybody to see what I was doing. I felt vain and frivolous, and, to make matters worse, I was deeply unhappy with the photographs I was taking.

 

There’s no getting around this. Nobody starts out perfectly at ease either in front of or behind the camera. It’s only by experiencing this discomfort that we can pass through it. It gets a little easier each time we push the shutter.

 

In time, the camera will start to feel more comfortable in your hands, and your photographs will begin to improve. They’ll improve again when you step outside and start taking photographs out there. 

 

This is, of course, more difficult than it sounds. When we take pictures of our clothes, we attract attention. Why? Because we are (let’s face facts) doing something unusual. The feelings of embarrassment are not easy to ignore or overcome.  

 

Remember, though we might look peculiar, we don’t look foolish. Quite the opposite. We’ve aroused people’s interest and curiosity. We need to embrace this, to hold our heads high, to be shameless denim enthusiasts. Again, this becomes easier every time we push that shutter. 

 

So push that shutter a lot. Rather than quickly snapping three or four photographs, take thirty or forty of them at a time. When you get home and sift through all of the pictures, there’s almost always a nugget or two of solid gold among them. Even professional photographers delete about 90% of the photographs they take, so don’t expect every picture to be a masterpiece.

 

Be patient with yourself, and embrace the peculiarity of this passion we share. With your camera in hand, step out your front door and start exploring, and try to ignore the gawkers. If you feel embarrassed, that’s perfectly natural. Focus on your task and the embarrassment will pass.

 

Do this and your photographs will improve dramatically. Then, when we come to the end of this road we’re all on together, you’ll be able to showcase the fades you have worked so hard to produce. When you cross that line, you’ll be putting your best foot forward.

 

why we need the redline rally

rally around the indigo invitational

 

The Redline Rally isn’t just something we want to do. It’s something we need to do. If you’re on the fence, here are a few things to consider.

 

the invitational needs the redline rally

 

A shirts/jackets fading competition is something the people have been asking for. It’s clearly something the community wants, and we’re as eager to dedicate a year to a single piece as we know many of you are, but the Redline Rally is about more than that.

 

For nearly two years, the founders have been pouring their time into running the Indigo Invitational. It’s been a labour of love, and that love has been returned to us in so many ways. The costs were negligible during the first year, but that was when we had a little over 100 competitors. We started Year Two with more than 850 competitors.

 

To put the matter simply, the competition needs support to remain viable and independent.

 

“The Indigo Invitational needs support to remain viable and independent”

 

It’s been suggested to us more times than we can count that we should start charging competitors to enter. From the beginning, we promised not to come to you with our hands out. Our position is that competitors have already paid for their entry by spending hundreds of dollars on your denim. In our books, that’s enough.

 

We knew the support for the Indigo Invitational would have to come from elsewhere. Tentatively, we reached out to a few brands and stockists to ask for their help. They came back to us immediately (almost instantaneously, in fact). One after another, brands and retailers we contacted pledged their support in the form of a small commission on pieces registered in the competition.

 

This support is a two-way street. For the Redline Rally, we will support the brands and retailers that support us. We hope you will do the same.

 

keep the ii wide open and free

 

By supporting our sponsors and registering a shirt or jacket in the competition, you are making a small but essential contribution to the Indigo Invitational. Each registration is a small signal that you think what we are doing is valuable and meaningful.

 

Like the Indigo Invitational, The Redline Rally is not about winning or even about competing. It’s about doing something together. We’re building a community, and we want that community to thrive and, most importantly, to last. The Redline Rally is how we do that.

 

 

Yes, your choices are limited to items available through our participating sponsors. Thanks to support from some of the largest names in the made-to-fade game, faders have access to hundreds of eligible products from dozens of brands. If you’re dead set on something that’s not yet on the list, email us and we’ll see what we can do.

 

If we can do this as a group, the Indigo Invitational can remain exactly the same as it has always been. It can be entirely free for competitors, and faders can choose any pair of denim they like.

 

If you believe, as we do, that the Indigo Invitational needs to remain wide open and free, help us keep it that way.    

 

we’ve saved the best for last

 

The best reason to join the Redline Rally has nothing to do with supporting the competition or the makers and sellers that have supported us. If the reasons above aren’t enough to convince you, do it for the fades.

 

We have all seen beautifully faded examples of shirts and jackets. We know what we need to do to produce these fades, but many of us keep adding pieces to the rotation. It’s the same problem that we created the Indigo Invitational to address, and the solution is the same.

 

Last year, we proved that fade masterpieces are within our reach provided that we have a good reason to remain disciplined. Can we bring this same level of discipline to above-the-belt fades? The Redline Rally is how we find out.

 

Want proof that, with discipline, incredible above-the-belt fades are possible?

9 Months in Sweden – Photo from Heddels

I recently came across a Heddels Fade Friday piece that showed exactly what is possible when a determined fader meets a made-to-fade shirt. Nils Johansson of Sweden put nine months’ worth of wear into an 11oz Nudie Gunnar shirt. After nine months’ worth of wear (including four washes and one soak), he had a faded masterpiece. Those of us who put the work in and remain discipline can expect something similar.

 

Nils Johansson’s Faded Masterpiece – Photo from Heddels

More than anything, it was seeing these fades that convinced us that a shirt and jacket fading competition was viable. Beautiful high-contrast shirt fades are as rare as hen’s teeth in this scene, but made-to-fade shirts will do what they were designed to do if we bring all of our focus to them.

 

We don’t have to forsake all our other tops, and we certainly don’t need to spend 365 days in one piece, but we do need to put one shirt or jacket at the very center of our rotation, and we need to leave it there. When that new release calls our name, we need a very good reason to keep our focus on the slow work we’re already doing.

 

Resisting temptation won’t be easy, but we’ve proven with the Indigo Invitational that, when we share a common and attainable goal, anything is possible.

 

 

 

 

 

“Why are women as rare as hen’s teeth in the denim scene?”


“Most of us have the same story. We try to convince our female partners or friends to try raw denim, but more often than not they find the experience intensely frustrating.”


“If premium workwear brands want to reach female consumers in any significant numbers, they need to do more than release versions of their made-for-men products in female sizes.”

They’ve got legs


Female raw denim consumers could be the industry’s next big wave

Female faders have dramatically limited options. There are a small handful of brands working to change this, but not enough of them to move the needle. The brands that are willing to go out on a limb and address the female market with a compelling reason to try raw denim will be in pole position when women start to make the switch to raw denim.

Read the Article on Calik Denim Blog

 

 

“There is a growing number of denim consumers who, rather than embracing technology-driven innovation, have planted their feet in an a more hands-on denim experience.


The analog didn’t present a serious threat to the world of innovation, but it did present a different set of options for extremely picky counter-current consumers.


“Rather than having their jeans faded for them by the factory, they wanted to do this work themselves—and they were willing to pay retailers a premium for this privilege.”

Revenge of the analog 


explaining the rise of premium denim

In the world of denim, choice, comfort, and convenience continue to attract new customers, but there is a growing body of denim consumers who want something more hands on. Surprisingly, for these picky premium customers, choice, comfort, and convenience are all afterthoughts.

 Read the Article on Calik Denim